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Pierre Steiner aborde les questions classiques de la philosophie de l’esprit par un biais inattendu: celui de la technique. Une vision des choses appelée à avoir de profondes répercussions.

par Mark Hunyadi

Pierre Steiner est un philosophe belge établi en France, encore jeune (il est né en 1980), mais dont les travaux sont pourtant connus de longue date. Actuellement professeur à l’Université de technologie de Compiègne, il suit une voie très originale, qui permet de renouveler audacieusement des problèmes très classiques de philosophie de l’esprit, laquelle interroge (depuis Platon!) les rapports de l’esprit humain au monde. Qu’est-ce que penser? Comment l’esprit est-il lié aux objets qu’il perçoit du monde? Ce sont là de vieilles et nobles questions, mais que Pierre Steiner aborde par un biais inattendu: celui d’une philosophie de la technique.

Ainsi, l’un des lieux communs les plus répandus sur la technique (y compris parmi les philosophes) consiste à dire que celle-ci serait un ensemble d’outils ou de dispositifs servant à réaliser telle ou telle fin, fixée par l’être humain. Celui-ci aurait donc des buts, et la technique permettrait de les réaliser. Les buts seraient «dans la tête», et telle ou telle technique serait le moyen de les atteindre. Qu’y a-t-il donc à redire à cette vision de bon sens?

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[RAMAGE] – How to change the region on an HP OfficeJet printer in 57 easy steps (printer companies hate this!)

It was fine until my yellow ink cartridge (allegedly) ran out, and the printer stopped printing in color. I soldiered on with the black cartridge. Until one day I tried to print a return label (in black and white!) and the printer decided it wouldn’t. Not until I replaced the yellow ink cartridge. Fine. I paid 207 goddamn dollars for replacement cartridges, put them in, and discovered that HP region-locks its printers.

If you need a refresher: region-locking is a form of DRM mostly used by media and software publishers so they can sell the same content at different prices in different regions. If you buy a DVD in Europe, you need a DVD player that can play Region 2 discs.

DVDs and Blu-rays are region-locked. (CDs aren’t, which is probably why DVDs are.) Game consoles used to be. Streaming media is region-locked. Software is often region-locked. Kindle books are region-locked unless the publisher requests otherwise. But outside of, like, entertainment devices, it’s rare for hardware to be region-locked. Except, as it turns out, printer cartridges.

The genuine HP ink cartridges, for which I paid as much as I paid for the actual printer, would not work with the printer they were designed to work with because I bought it in a different part of the world. It wasn’t even a cheaper part of the world unless we’re talking healthcare or midcentury furniture.

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11 avril 2023 Christophe Genoud

Le 25 avril 2023 sort aux Editions Vuibert l’ouvrage que j’ai écrit tout au long de l’année 2022. Avant que les lecteurs ne s’en emparent, il est encore temps de revenir sur sa gestation et sur son propos.

Si vous suivez ces “Chroniques managériales”, le propos du livre ne devrait pas vous surprendre. Avec un ton humoristique, caustique et parfois polémique, je dissèque une dizaine d’idées, d’approches, de figures du management contemporain, dont nombre d’entre-elles ont été discutés sur ces pages du blog du Temps.

Leadership, organisations libérées, agilité, résilience, change management, design thinking, bonheur au travail, bienveillance, mindsets, développement personnel. Voilà les dix figures du bullshit managérial qui sont passées à la moulinette d’une critique reposant autant sur une lecture attentive des références pertinentes en sociologie, en science de gestion ou en philosophie que sur une pratique personnelle du management.

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Fear, FOMO, and the scientific exodus driven by ChatGPT

Nathan Lambert Apr 6Behind the curtain: what it feels like to work in AI right now

very single person I know working in AI these days (in both the academy and industry) has been sparked by the ChatGPT moment. The first iPhone moment of AI. Working in this environment is extremely straining, for a plethora of reasons — burnout, ambition, noise, influencers, financial upside, ethical worries, and more.

The ChatGPT spark has caused career changes, projects to be abandoned, and tons of people to try and start new companies in the area. The entire industry has been collectively shaken up — it added a ton of energy into the system. We now have model and product announcements on an almost daily basis. Talking to a professor friend in NLP, it’s to the point where all sorts of established researchers are ready to jump ship and join/build companies. This is not something that happens every day — getting academics to stop wanting to do research is a hilarious accomplishment. Everything just feels so frothy.

Graduate students are competing with venture-backed companies. From a high-level technologist’s perspective, it is awesome. From an engineer-on-the-ground’s perspective, it leaves some stability and naps to be desired. Seeing all of the noise makes it very hard to keep one’s head on straight and actually do the work.

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January 27, 2011 by Will Norris
While I haven’t had much time over the last year or so to spend actually writing code for DiSo, I’ve been really interested in the new direction Tantek has been taking things with his DiSo 2.0 concepts. Many of the early efforts in DiSo were focused just on how to move social data around the web (data formats, protocols, authentication mechanisms, etc). Tantek is taking a slightly different approach to this by first emphasizing the importance of data ownership. It’s not enough to simply pull in a copy of your content from social networks into your local repository. In order to truly own your data, the original should be on your site, and then copies pushed out to whatever social networks, with links pointing back to the original where appropriate. It may sound like a purely academic distinction, but it’s the difference between sharecropping and homesteading.

So just to prove that I don’t actually spend all of my time in the belly of the beast, I’m happy to announce a new project I’ve been working on – Hum. It’s a personal URL shortener for WordPress, inspired by Whistle. It’s important to note that this is not a traditional URL shortener like bit.ly or goo.gl that is designed for creating links to any arbitrary site on the web. Instead, a personal URL shortener is intended to link to your own content… your blog posts, your status updates, your photos. When pushing content from your site out to social networks, you often need the ability to link back to the original. Thanks to Twitter this means short URLs, and following DiSo principles, this means controlling those URLs. A URL shortener may not be sexy, but it’s necessary infrastructure for DiSo 2.0.

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[RAMAGE] – About ds106

Digital Storytelling (also affectionately known as ds106) is an open, online course that happens at various times throughout the year at the University of Mary Washington… but you can join in whenever you like and leave whenever you need. This course is free to anyone who wants to take it, and the only requirements are a real computer, a hardy internet connection, preferably a domain of your own and some commodity web hosting, and all the creativity you can muster.

In August-December 2013, we ran an experimental open version of ds106 where… THERE WAS NO TEACHER! What? How is that possible? Learn more about the idea for Headless ds106 and how it planned out including an unexpected group collaboration for the story of GIFACHROME.

The Headless ds106 content has been repackaged as an ongoing, not time bound Open DS106 Course Experience.

What is Digital Storytelling?

As to what exactly this course is all about, well according to Wikipedia Digital Storytelling is defined rather succinctly as “using digital tools so that ordinary people can tell their own real-life stories.” It then goes on to elaborate as follows:

Digital Storytelling is an emerging term, one that arises from a grassroots movement that uses new digital tools to help ordinary people tell their own “true stories” in a compelling and emotionally engaging form. These stories usually take the form of a relatively short story (less than 8 minutes) and can involve interactivity.

The term can also be a broader journalistic reference to the variety of emergent new forms of digital narratives (web-based stories, interactive stories, hypertexts, fan art/fiction, and narrative computer games).

As an emerging area of creative work, the definition of digital storytelling is still the subject of much debate.

There are a number of ideas and assumptions here that we will be interrogating over the course of ds106, namely the idea of “ordinary people,” “true stories,” and the debate around the meaning of this term.

The above article is rather vague about the details surrounding this emerging genre of narrative, and it is our responsibility to interrogate the term digital storytelling within the cultural context of our moment. This means each of you will be experimenting with your own digital platform for storytelling, as well as placing yourself within a larger narrative of networked conversation on the internet at large.

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[RAMAGE] – Let’s forget the term AI. Let’s call them Systematic Approaches to Learning Algorithms and Machine Inferences (SALAMI).

Because of this misconception, we proposed we should drop the usage of the term “Artificial Intelligence” and adopt a more appropriate and scoped-limited terminology for these technologies which better describe what these technologies are:  Systematic Approaches to Learning Algorithms and Machine Inferences.

Now we have redefined the name, will we still support the idea that SALAMI will develop some form of consciouness ?

Will SALAMI have emotions ?

Can SALAMI acquire a “personality” similar to humans’ ?

Will SALAMI ultimately overcome human limitations and develop a self superior to humans ?

Can you possibly fall in love with a SALAMI ?

Can we suddenly perceive a sense of how all these far flung (unrealistic) predictions look somewhat ridiculous ?