[RAMAGE] – About ds106

Digital Storytelling (also affectionately known as ds106) is an open, online course that happens at various times throughout the year at the University of Mary Washington… but you can join in whenever you like and leave whenever you need. This course is free to anyone who wants to take it, and the only requirements are a real computer, a hardy internet connection, preferably a domain of your own and some commodity web hosting, and all the creativity you can muster.

In August-December 2013, we ran an experimental open version of ds106 where… THERE WAS NO TEACHER! What? How is that possible? Learn more about the idea for Headless ds106 and how it planned out including an unexpected group collaboration for the story of GIFACHROME.

The Headless ds106 content has been repackaged as an ongoing, not time bound Open DS106 Course Experience.

What is Digital Storytelling?

As to what exactly this course is all about, well according to Wikipedia Digital Storytelling is defined rather succinctly as “using digital tools so that ordinary people can tell their own real-life stories.” It then goes on to elaborate as follows:

Digital Storytelling is an emerging term, one that arises from a grassroots movement that uses new digital tools to help ordinary people tell their own “true stories” in a compelling and emotionally engaging form. These stories usually take the form of a relatively short story (less than 8 minutes) and can involve interactivity.

The term can also be a broader journalistic reference to the variety of emergent new forms of digital narratives (web-based stories, interactive stories, hypertexts, fan art/fiction, and narrative computer games).

As an emerging area of creative work, the definition of digital storytelling is still the subject of much debate.

There are a number of ideas and assumptions here that we will be interrogating over the course of ds106, namely the idea of “ordinary people,” “true stories,” and the debate around the meaning of this term.

The above article is rather vague about the details surrounding this emerging genre of narrative, and it is our responsibility to interrogate the term digital storytelling within the cultural context of our moment. This means each of you will be experimenting with your own digital platform for storytelling, as well as placing yourself within a larger narrative of networked conversation on the internet at large.

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